Marjane Satrapi (born in Iran, working in France, a master of the documentary graphic novel) is lyrical in everything she does, including this rather political cartoon commisioned by the New York Times and readable by linking here.
Art is at its best when it uses the personal as a tool. Mozart's late piano concertos fall into this category. His melancholia and fear of death spice them and enhance them in the gentlest manner, without taking center stage.
Even when Satrapi is seemingly using her own life as subject rather than tool, it is a tool rather than the subject. in "Persepolis" she wrote about Iran, her family and the experience of exile and homecoming. All of this touches on the universal. Iran is Israel. Her autobiography is my biography.